| 33 | EXT. ALCETHMERET - DAWN | 33 |
|---|
Anmura joins wan Ulis in the sky above the Court, seen at an impossibly wide angle. The whole skyline behind the Alcethmeret is visible, yet we view it from eye-level in its entirety and nothing stands before it. Subtly, we rack focus from the rising sun to the towering minaret of the imperial residence.
XX NOTE THE MODULAR SCALE MODEL OF THE UNTHEILENEISE COURT DESIGNED FOR THIS PRODUCTION BY THE CLOCKSMITHS' GUILD OF LOHAISO IS A MASTERWORK, AND A GREAT MANY MURANAI WENT INTO ITS CONSTRUCTION——AT THE COST OF THE CGL, I REMIND. WE WOULD LIKE TO AVOID PAYING ANY OFFENSE TO THEM. FOR THE LAST TIME, WE ARE KEEPING THIS SHOT. -AIVO XX
| 34 | INT. VERVENTHEILEIAN - MORNING | 34 |
|---|
Maia regards the Witnesses of the Corazhas: BERENAR (sixties, grandfatherly), Witness for the Treasury; BROMAR (sixties, cataract), Witness for Foreigners; DESHEHAR (sixties, portly), Witness for the Parliament; ISTHANAR (fifties, anxious), Witness for the Universities; MADRINAR (fifties, faceless behind his mask of office), Witness for the Prelacy; PASHAVAR (seventies, venerable), Witness for the Judiciate; SONEVET ATHMAZA (fifties, Drazhadeise features), Witness for the Athmaz'are. All are elves of pure blood and noble birth——even Sonevet Athmaza, for while mazai judge themselves on merit, not birth, this courtesy does not extend to those who deal with them, and the Witness for the Athmaz'are is always chosen accordingly.
Every one of the Witnesses stares at Maia in return.
THARA
(in Barizhin, hushed)
They await your address.
MAIA
(in Barizhin, hushed)
...Of course.
(in Ethuverazhin)
Good morning.
No response.
MAIA
We... it is...
(in Aisava, in Barizhin)
Where is our Lord Chancellor?
AISAVA
(in Barizhin)
A good question.
(in Ethuverazhin)
Gentlemen, allow us to formally introduce ourself: we are Csevet Aisava, secretary to Edrehasivar VII. To our right is Thara Celehar, his chosen interpreter.
Now Thara is the target of seven silent gazes. PAPERS SHUFFLE and PENS SCRATCH as the Witnesses take note.
AISAVA
And now that you know who we are, we hope you will understand our confusion at Lord Chavar's absence.
The Witnesses RUMBLE with uncertainty——some with distaste.
PASHAVAR
Lord Chavar is occupied with the task His Serenity appointed him——the appointment of the Witnesses for the Wisdom of Choharo.
Thara finishes interpreting for Maia, who murmurs back a response.
THARA
And this task prevents him from completing the other duties of his station?
PASHAVAR
We cannot claim to speak for Lord Chavar, Mer Celehar.
Thara briefly stiffens at the title, but lets the slight pass over him. Again, a quiet translation and quieter answer.
THARA
His Serenity would see the day's business begun.
The room finds consensus for a first, perhaps final, time.
Time passes. Witnesses take notes, adjust their spectacles, stroke their chins in thought. The business of the Corazhas seems wrapped in endless ink and paper.
Several hours later, Aisava and Thara are on the edge of disarray; the latter's curls have started to free themselves from their pins.
Maia's posture has not sunk an inch: he remains unreadable and unyielding as a marble bust.
BERENAR
The available budget will only cover half that sum, Bromar.
BROMAR
Thankfully, His Late Serenity had your office draft a new budget to account for the lack. Or have you already forgotten?
BERENAR
We have not forgotten, but as you said, Bromar, the revision of the budget was the will of Varenechibel, and he did not sign the proposal into law before his untimely passing.
BROMAR
So? Have him sign it.
Bromar gestures towards Maia.
Maia says something to Thara.
THARA
His Serenity wishes to know why the Anmur'theileian across the Evresartha requires such a drastic increase in funds.
MADRINAR
We are at war with the steppe people, Serenity.
MAIA
(in Barizhin)
...Does he think we have never read a book? Don't say that.
(in Ethuverazhin)
Nazhmorhathverasheisei, yes.
MADRINAR
The—— (ASTOUNDED SCOFF) Perhaps you have heard, then, of how the Anmur'theileian is the sole line of defense between the raiders and your subjects in the badlands.
Madrinar is not the only member of the Corazhas taken aback by their emperor giving the People of the Night Sky a name which would seem to legitimise their claim to the Evressai Steppes.
BROMAR
Your father attempted to broker peace, but they refused all solutions——no matter the benefit.
Another aside between emperor and interpreter.
THARA
His Serenity would appreciate examples of these attempts.
BROMAR
Crop assistance, well-digging rights——we even tried to return their dead to them before it was discovered that there weren't really dead to return after all.
The translation startles Maia.
MADRINAR
Forgive him, he has forgotten the full details. For years, the steppes people claimed that we had stolen their dead from them. Your father ordered the Anmur'theileian to be searched——quite thoroughly, we might add——for remains that may have been stashed away during construction.
THARA
(for Maia)
So His Late Serenity believed there was good reason for the search?
BROMAR
Ah, yes, they have a habit of leaving the deceased up in high places, you see.
MADRINAR
For the vultures.
THARA
(for Maia)
And the Anmur'theileian was one such high place. Or had been one.
BROMAR
Yes, Serenity.
THARA
(for Maia)
...Meaning that, in essence, it was built atop their ulimeire.
MADRINAR
(dryly)
In a sense, Mer Celehar.
Thara's ears strain against the instinct to flatten.
MADRINAR
Ah! 'Yes, Serenity.' Slip of the tongue, you see.
Maia turns his attention from Thara at his left to Aisava at his right.
MAIA
(in Barizhin)
We can make no progress until we have seen the budget for ourself.
AISAVA
His Serenity will review the proposed increases once copies of the appropriate documents have been drawn up.
BERENAR
Our secretaries will handle it, if there are no objections.
BROMAR
None here.
MADRINAR
There are additional reports that would serve His Serenity to have. We will submit those as well.
MAIA
(to Aisava, in Barizhin)
Call for a recess. We are done.
AISAVA
Gentlemen, His Serenity believes that we are done for the day. We will reconvene according to the established schedule. Good day.
The Witnesses gather their papers and begin their exit.
Maia pays them no mind. He has eyes only for his stony-faced interpreter.
MAIA
(in Barizhin)
Thara? Art well?
THARA
(in Barizhin)
You cannot call us that here.
The sharpness of his tone strikes an unfortunate chord in the emperor's memory. Maia shrinks.
THARA
(in Barizhin)
...An it please you, Serenity, we would take our leave now.
Maia nods, and Thara evaporates into the crowd of quickly-exiting Witnesses.
Berenar lingers. He considers something for a moment, then approaches Maia with a resolute gait. He bows.
BERENAR
Serenity. If we may.
Without Thara, Maia appears several inches smaller. He glances at Aisava before straightening himself.
MAIA
Yes, Berenar?
BERENAR
We... would like to thank you. For sitting through that whole ordeal.
MAIA
No, no. Is duty.
BERENAR
Ah! So you do speak some Ethuverazhin, then?
MAIA
(grimacing)
Corazhas Ethuverazhin? No.
BERENAR
Ha. Yes, it really is a language of its own, isn't it?
The warmth in Berenar's smile does little to settle Maia's nerves. If anything, such geniality from an older man puts Maia ill at ease. Now he must wait for Berenar's true purpose to reveal itself.
BERENAR
Now that you have seen us all at our worst, it is only fair you should get to see... well, perhaps not at our best, but at least as people. (BEAT) We are hosting a dinner party at our apartments. An you are willing to join, it would please us greatly.
MAIA
(to Aisava, in Barizhin)
Dinner? Would the other Witnesses take this as a showing of undue favour?
AISAVA
(in Barizhin)
Ah... bad manners, would not be. If you want, can do.
MAIA
Hmm. Is not too fast? Your house will not be... unhappy?
BERENAR
Not at all. Our wife would very much like to meet you, in fact.
Cautiously, Maia brightens.
BERENAR
With your permission, Serenity, we would also like to invite the Archduchess Vedero.
MAIA
Oh! If she... if she wants.
BERENAR
We are sure she will be glad for an opportunity to meet you outside the Untheileian, Serenity.
CUT TO:
| 34AA | INT. BERENADA APARTMENTS - OUTER VESTIBULE - EVENING | 34AA |
|---|
The ARCHDUCHESS VEDERO (twenty-eight, austere) is slightly taller than Maia. Though she does not possess their father's features quite as her brother does, her countenance is thoroughly imperial——as is the white-work embroidery on her gown.
Shoulder to shoulder, emperor and archduchess stare straight ahead.
MAIA
(hesitantly)
We are happy you come.
VEDERO
We are glad to do our duty, Serenity.
Thara, head and shoulders below the two Drazhada, MURMURS a translation. Maia's ears slowly fall.
MAIA
Of course.
The intricately carved elesth doors to the Berenada apartments swing open.
| 34A | INT. BERENADA APARTMENTS - DINING ROOM - LATER | 34A |
|---|
Compared to those of the Ceredada, the Berenadeise apartments are somewhat smaller, less fashionable. The walls are papered in the caged birds and vines so loved by the empress Pazhiro, and the densely-patterned carpets are perhaps a mere handful of seasons away from replacement.
Several individuals of note sit at Berenar's table. Isthanar and his wife, for example, LAUGH over some comment made by Sonevet Athmaza. Pashavar is there as well, though his attention is split three ways between the CAPTAIN OF THE GUARD, his wife, and a glass of brandy.
Maia and Vedero have been arranged across from one another, likely on purpose. At Maia's side, Thara is stiff as a board. Next to Vedero, however, is the dignified Osmerrem BERENARAN (sixties, appropriately jewelried). Much like her husband, she possesses a certain twinkle to her that only comes with age and good humour.
BERENARAN
——At which point, Eiru looks up at the trapeze artist and says, 'My word, darling, does that man know he's on the ceiling?'
The courtiers around Berenaran CHUCKLE POLITELY. Once Thara finishes interpreting, MAIA LAUGHS as well.
BERENARAN (CONT'D)
Actually, we believe you were in attendance for that one, Archduchess.
Vedero glances up from her plate, polite but clearly disinterested.
VEDERO
Were we?
BERENARAN
We suppose you were quite little at the time. It was the year their mazai cast a sea of stars across the Rohethadeise ballrooms.
VEDERO
Ah, yes. We had forgotten.
BERENARAN
If only they had saved such a performance for when you were just a bit older. We would have liked to know how accurate their illusion was.
VEDERO
Hm. Quite unfortunate that they did not, yes.
Berenaran meets her husband's eyes across the room. Maia recognises the look as a cry for help: he finds himself looking at his interpreter and secretary the same way.
MAIA
Stars of mazai is...
The table's attention fixes upon him. He has not yet attempted Ethuverazhin this evening. Maia swallows.
MAIA (CONT'D)
...much beautiful, we think. Our goddess is Cstheio Caireizhasan.
For a moment, Berenaran forgets her court manners. Her lashes flutter as her eyes widen.
Vedero looks between the startled Berenaran and her brother. He flashes her a small, tentative smile. Indeed, Berenaran's continued questioning has found a new target.
BERENARAN
Forgive us, but——goddess, singular? We did not realise the Barizheise custom was henotheistic.
MAIA
Heno...?
THARA
(in Barizhin)
It means to worship only one of the gods.
MAIA
Oh! No, no, we misspeak. (IN BARIZHIN) The Lady of Stars holds our fate in her hands. We pray to her most often among the Seven Great Gods.
As Thara begins to INTERPRET for him, his speech becomes inaudible. We rack focus to the grand doors of the dining room.
TETHIMAR
Ah! A pleasure as always, Berenar.
Vedero snaps to attention as ESCHEVIS TETHIMAR (elven, thirty, roguishly handsome) enters a few steps behind Chavar. The bow he offers Berenar is the technical perfection of an artform.
BERENAR
Good evening! Dach'osmer, Lord Chancellor.
CHAVAR
You'll have to forgive our son, Berenar——he's under the weather tonight. We hope that Dach'osmer Tethimar makes up for the absence.
BERENAR
Goodness. Is the boy alright?
CHAVAR
The boy is perhaps still smarting from Osmin Erimin's sudden rejection.
BERENARAN
Poor Nurevis.
CHAVAR
He will forget it all very soon, we are certain.
Tethimar turns to acknowledge the lady of the house——and then notices that he is in the company of the emperor. Or seems to notice, anyways.
TETHIMAR
Serenity! (HE PROSTRATES HIMSELF) Forgive us, we were not told you would be here.
MAIA
Rise.
With catlike grace, Tethimar obeys.
CHAVAR
Serenity, allow us to introduce Eschevis Tethimar, son of the Duke Tethimel.
THARA
(for Maia)
His Serenity is pleased to make your acquaintance, Dach'osmer.
TETHIMAR
And we are pleased to make his.
(to Maia)
Unfortunately we know not the proper form to greet you in Barizhin.
He turns to Vedero.
TETHIMAR
Archduchess, it is always an honour.
VEDERO
Quite.
Vedero maintains tight control over her expression as the Lord Chancellor and his guest take the last unoccupied seats at the table——the pair to the emperor's immediate right. Tethimar sits across from Berenaran, putting him and Vedero just over a table's width apart.
TETHIMAR
Now, what was the topic? We do so hate to intrude on a conversation and not even know what it was.
BERENARAN
Oh! Let's see... I believe it was the stars, yes?
TETHIMAR
Ah! So you share your sister's inclinations, Serenity? How fortuitous.
Once Thara has interpreted this, Maia's ears perk up.
MAIA
You like stars, Archduchess?
Vedero's, on the other hand, flick.
VEDERO
Yes.
TETHIMAR
You should hear her speak of them, Serenity. She has the soul of a poet, we should think.
The archduchess glances over to Berenar. He has just finished a conversation with Pashavar.
VEDERO
Please, excuse us.
She rises from the table before anyone can get another word in. Tethimar appears disappointed to see her leave.
TETHIMAR
Oh dear. She usually loves to discuss such things. Perhaps it is still too soon.
Maia watches his sister pull Berenar aside.
| 34B | INT. BERENADA APARTMENTS - HALLWAY - CONTINUOUS | 34B |
|---|
Once sufficiently out of both sight and earshot, Vedero turns on her heel. She towers over Berenar, her face brimming with cold rage.
VEDERO
So, Berenar, how long have you been in Tethimar's pocket?
BERENAR
I——Archduchess, we fear we do not know what you mean.
VEDERO
You cannot possibly think we are so unobservant.
Berenar looks back over his shoulder. If he angles himself correctly, he can catch sight of Tethimar speaking at the emperor, who smiles politely in return.
BERENAR
...We ask for your forgiveness, Archduchess, for we did not extend an invitation to Tethimar at all.
VEDERO
We somehow doubt even Chavar would be so bold to give Nurevis' invitation away without a single word to the hosts.
BERENAR
Er. Admittedly, the invitation was for 'Lord Chancellor and Guest'. We did not think there was anyone Chavar might invite who was not, on some level, already a welcome addition.
VEDERO
Well, he quite proved you wrong, didn't he?
BERENAR
Archduchess...
VEDERO
We recognise that the Corazhas will never need to see us as little more than a piece on a gameboard, but we must continue to live the life that you choose for us!
BERENAR
It was our design to have you speak to your brother, Archduchess. Not Eschevis Tethimar.
Vedero's ears just barely tilt down.
VEDERO
So you confess to having designs?
BERENAR
Yes.
She stares at him.
BERENAR
With all due respect to His Serenity, Archduchess, we are a servant of the Drazhada. Right now, that is you.
VEDERO
We are not the head of house.
BERENAR
No, the one who holds that honour is a frightened child who does not speak the language, nor knows a soul at court but——an we may speak plainly——two men of ill repute and the Zhasanai. You are a scholar, Archduchess, and an immensely competent one at that. Were circumstances different, we would be proud to serve you as Ethuverazhid Zhas. Instead, we will do the next best thing.
VEDERO
...We see.
Berenar takes a slow, deep breath to calm himself. He then looks at her pleadingly.
BERENAR
He is still a boy. You are his older sister. For the sake of our country, lead him.
He straightens his attire and turns to leave.
BERENAR (CONT'D)
Before the Celehada get there first.
As he returns to the dining room, Vedero peers past him. Thara seems to loom over a seated Maia, expressionless as he relays Tethimar's commentary.
| 34C | INT. UNTHEILENEISE COURT - HALLS - NIGHT | 34C |
|---|
This late into the evening, the halls between the Berenadeise apartments and the Alcethmeret are void of all life. FOOTSTEPS ECHO as Maia, Vedero, and Edrehasivar's entourage pass through the Court's winding passageways.
VEDERO
Serenity, we...regret the way we have spoken to you tonight.
MAIA
Regret? For why?
VEDERO
We know ourself to be... we were never the personable one.
Maia has nothing to say to that; how can he compare her to those he has never met?
VEDERO
What we mean to say is that we have acted in a way unbecoming of our house. We felt... ambushed.
THARA
(in Barizhin)
Er. Caught, ensnared, trapped.
MAIA
Oh. Like fish in creek.
His ears fall before he can catch them.
MAIA (CONT'D)
Trap you, we do not want. You say 'no', is fine. We do not be mad.
VEDERO
You are not the one who concerns us, Serenity.
Maia turns to Thara for help. A QUIET EXCHANGE.
THARA
His Serenity would appreciate some clarity on that statement.
Vedero grimaces. She looks over her shoulder.
VEDERO
Eschevis Tethimar believes himself engaged to us.
MAIA
(in Barizhin)
What? How would a man come to think that?
THARA
...His Serenity would appreciate some clarity on that statement as well.
VEDERO
We think that Papa——that our father drafted the marriage contracts shortly before he left. He was able to hold out for a better match for quite some time, but the situation in the north finally turned his hand.
THARA
(for Maia)
But no contract was ever signed?
VEDERO
No. But everyone knew.
MAIA
Not we.
VEDERO
...And now we have told you, and you will be honour-bound to follow his promise through. Brilliant.
MAIA
You tell us what?
His manner is so placid, Vedero opens her mouth before she realises the game. She closes it again and eyes him with newfound interest.
THARA
(for Maia)
His Serenity would like his sister to know that he has enjoyed her company greatly tonight, and that he is glad to speak with her over nothing of import nor interest.
VEDERO
We... yes. We too are grateful.
They are just outside the grilles of the Alcethmeret. Maia and his nohecharei linger a moment longer.
THARA
(for Maia)
...And he says that next time you meet, he would like to hear about the stars.
| 34D | INT. VERVENTHEILEIAN - MORNING | 34D |
|---|
DESHEHAR
...Furthermore, we have already lost a month's time to this endless argument, and still neither Berenar nor Pashavar have presented a solution which does not create as many problems as it solves!
Each Witness takes up a substantial section of an equally substantial table, armed with their own collection of papers, folios, secretaries.
Thara, seated close at Maia's side, quietly, tiresomely, interprets. Aisava beside him has a great many papers and stamps but his notes are long abandoned. He is pouring dark orchor from a lidded bowl into cups for the imperial contingent right at the table.
PASHAVAR
He says, with no solution of his own to offer.
The room rumbles as laughter and annoyance mix together.
DESHEHAR
If the Witness for the Judiciate will permit us to speak, he may find that we do, in fact, have our own solution to offer.
BERENAR
Oh? Is it to give the land to the Doreshada?
BROMAR
Berenar, please.
BERENAR
What? It is the idea he presented the last three times.
PASHAVAR
Oh, let him say whatever it is he plans to say. Then we may at last be released from this room.
Deshehar We think the land should be given to the Doreshada. |
MAIA (mouths) 'We think the land should be given to the Doreshada.' |
The Witnesses groan as one. None of them have been paying their silent emperor mind, leaving Maia's mockery unnoticed by all but his retinue.
Meanwhile, Aisava chokes back a laugh. Thara and the nohecharei remain impassive——but when Deshehar continues, rather than taking back up his duty as interpreter Thara sips his tea.
DESHEHAR
Their use of the land was uncontested for a century until the Nelozho township instigated this farce! It is theirs by right!
BERENAR
Wasn't there that business a few years ago regarding the Deshehada's tenant-farmers squatting on their ancestral land? Odd... we cannot remember you so fervently defending the pretense of adverse possession in that matter.
PASHAVAR
Gentlemen, gentlemen! Can we please admit that you are both wrong and get on with it?
DESHEHAR
An easy thing to say when one represents the faction taking the bribe money, Pashavar.
PASHAVAR
Oh? Are we making accusations now? At last, we may recognise yourself and Berenar for the poachers you are.
All begins to fall apart. Maia rubs the bridge of his nose. He tries to say something, but cannot be heard above the shouting. He looks to Aisava and Thara, stationed on one side of him, and then to his nohecharei, stationed on the other.
A nohecharis BANGS his fist against the table.
The Witnesses all turn, silenced.
MAIA
Thank you.
(to the Corazhas)
We wished to say... this behaviour is... it does not fit.
Though his voice is still quiet and heavily accented, and his words hesitant, his command over Ethuverazhin has grown.
MAIA
We are ones who govern, yes? Not ones who bicker. Bickering is privilege for the common man. It is not ours.
PASHAVAR
See? Even his Serenity thinks this has gone on too long.
Maia stares at Pashavar, who realises what he has just said all too late. Pashavar coughs and looks to his hands, but does not apologise.
In fact, no one at the table offers up apologies for Pashavar's behaviour, let alone their own. Of those present, only Berenar holds any sympathy in his expression.
Thara inhales through his teeth.
THARA
(quietly, in Barizhin)
He, er... he says——
MAIA
No.
Thara stiffens. His eyes widen.
MAIA (CONT'D)
(more gently)
Thank you, Celehar, but we know what he says.
Thara bows his head. Maia returns to the Corazhas.
MAIA
Dach'osmer Pashavar. We believe you were correct about something. Both other Witnesses are wrong.
Pashavar's expression——at first alarm at being called upon directly——turns to silent curiosity.
MAIA (CONT'D)
You are also wrong. Everyone in this room is wrong.
MADRINAR
Serenity——
MAIA
We will not reward being wrong. We reject all claims.
As a group, all in attendance respond with confused EXCLAMATIONS. Maia sets his jaw. He cannot allow even one person in the room to think his decision is mutable.
MAIA
River belongs to avar of Thu-Cethor. Is not——should not be question. Rivers in Ethuveraz have always belonged to avarsin. We will not give to Doreshada, who use un... un-contested before only because they bribe avar's men. But land to west of river, Doreshada right is legitimate. Land to east, we say give to township.
Once more, it is Berenar who stands apart from the rest. He sits back, contemplative.
Chavar rises from his seat at the other end of the table and bows.
CHAVAR
Your word is law, Serenity.
MAIA
Yes.
Chavar straightens. Though he performs the motions of his role well enough, he does little to hide his exasperation with the emperor. He clears his throat.
CHAVAR
Well. With that matter brought to a close, we believe it is well past time to be done with today.
This receives AGREEMENT from the Corazhas. Unfortunately——
MAIA
We will hear of Witnesses for Wisdom of Choharo, Lord Chancellor. Then day is done.
Chavar's smile widens just a bit too far.
CHAVAR
Of course, Serenity.
Maia waits for him to continue.
CHAVAR
They are Witnessing.
Maia's face does not budge. He continues to wait.
CHAVAR
Are there any specific questions? We fear we have missed something.
MAIA
Is week six. Soon will be seven.
CHAVAR
Then the Witnesses have required six weeks thus far. Nearly seven. We do not control the speed at which information reveals itself, Serenity. Nor do they.
With his thin lips spread so far apart, he appears more and more as an animal baring its teeth.
Aisava leans forward.
AISAVA
(whispering)
Many of the secretaries have ceased taking notes. If he does have any information to deliver, it is not likely to leave this room in one piece.
Maia closes his eyes.
MAIA
(in Barizhin)
Celehar. Please tell them that this meeting is finished.
A flash of concern crosses Thara's face upon hearing the emperor revert to his mother tongue, but he remembers himself quickly. He bows.
THARA
His Serenity grants recess to the Corazhas. Thank you.
As the room empties of Witnesses and secretaries, Maia rubs idly at his knuckles. His face remains blank as stone.
He does not notice Berenar's approach until the man stands before him, an overstuffed folio in his arms.
BERENAR
Serenity. If we may.
MAIA
Day is done, Berenar.
BERENAR
And we thank you for that. But we have a final question. We fear it will deprive us of sleep if we do not at least try to ask it.
Aisava opens his mouth, but is quieted with a wave of Maia's hand. Maia then gestures to Berenar.
BERENAR
You are entirely correct in your assertions regarding our behaviour and we fully accept your decision to end the matter of Nelozho and the Doreshada here.
His face softens. His is suddenly demure, a man at the start of his sixties who has accepted that a boy of eighteen——even the one who rules his homeland——deserves some gentleness.
BERENAR (CONT'D)
But do you?
Maia blinks.
| 35 | INT. ROSE ROOM - EVENING | 35 |
|---|
The walls of the Rose Room are papered in a repeating pattern of roses, both singular and posies in various shades, atop light and Imperial white stripes. The room itself is well and softly lit, with several couches in various light values.
XX NOTE WE HAVE WRITTEN THE ROSE ROOM TO REFLECT CSETHIRO ZHASAN'S DESIGN AS OPPOSED TO THE PREVIOUS ITERATION BECAUSE WE HAVE EYES AND WOULD PREFER THEY NOT LOSE THEIR FACULTY -CAMB XX
Maia and Idra sit on opposite sides of a bokh set, though it seems neither is fully invested in the game. Maia has his legs folded beneath him so that he may accommodate a great book of architectural engineering on his lap, and Idra watches with mild horror as the Zhasanai tears through a pile of letters.
CSORU
Unbelievable! Completely and categorically unbelievable!
She lifts a particular letter up to read aloud:
CSORU
'Our niece, Osmin Baronin, is known to all around her as an individual of excellent character, and she is much beloved for both cleverness and good cheer.'
IDRA
Oh, terrible.
MAIA
Cleverness, good cheer. Both are good qualities, no?
CSORU
Good qualities, yes. Especially for a girl of three years!
MAIA
Eugh. Terrible.
Idra nods.
MAIA
Must I marry? Don't answer that.
Csoru, who had been prepared to explain the purpose of inheritance via bloodline, closes her mouth. Idra, meanwhile, advances a piece one step, wary of giving Maia a hint to his material.
IDRA
Cheer up, Uncle. The Court must have at least one lady who is to thy liking. Thy move.
Maia half-closes the book in his lap so that he can lean over and look at the board.
MAIA
Is not matter of liking, of——of preference. Not my preference. Well, other than the michenoi. I do not want marrying one of those.
CSORU
More for Idra, I suppose.
IDRA
I beg your pardon!
CSORU
What? Your uncle is the one who insists on playing regent——which is how future volumes of history will refer to Edrehasivar the Seventh, if he does not find someone to make him an heir of his own.
Thara, sprawled out across a couch with an impossibly fat book, makes a face.
THARA
Csoru. Please.
CSORU
Oh, very well. But I am not wrong.
She flips to the next letter. Maia places his next piece with the lunge of a cavalier.
MAIA
(in Barizhin)
Advance.
CSORU
Well! I jest, and yet! You'll love this one, Idra: Paru Tethimin.
Idra GROANS.
CSORU
A much better option than Min Baronin, you must agree.
MAIA
Tethimin? How close to Eschevis Tethimar?
IDRA
She is his younger sister.
MAIA
What——if I do not give him my sister, he thinks, give me his?
CSORU
Any road to a Drazhar with those horrid Tethimadeise curls, I suppose. Turn him down and Idra will get the same offer in two years's time, mark my words.
IDRA
Yes, because Paru Tethimin and I get along so well.
(to Maia)
Thy move.
Instantly, cavalier takes. Maia glances at the piece's base, and TCHES, unimpressed by whatever he finds. It is once again Idra's turn. Idra looks overwhelmed.
CSORU
All those little playdates you and your sisters were forced into! You all looked so thoroughly miserable. Except Ino, of course.
IDRA
Yes, Ino likes everybody.
Idra moves another piece.
MAIA
Un-move thy Anmureisa, Idra, or die in three turns.
IDRA
My——What? How dost thou know it is my Anmureisa?
MAIA
Didst tell me just now.
Idra EXCLAIMS.
MAIA
...And I take thy general and all thy mazai, so it is Anmureisa or cavalier. Thy avar hides with bokhrat, yes?
He gestures to A7 and A8.
IDRA
Drat. I suppose that makes thee victor. Well played.
MAIA
Un-move thy piece, is all right! Only witness here is Celehar, and he cares not. Dost care, Thara?
Thara gives a noncommittal HUM. Maia smiles.
MAIA
Is more fun this way. Canst win still.
CSORU
Oh, Vedero and thee shall be insufferable together once she learns thou'rt good at this game.
MAIA
My sister plays?
CSORU
Like a python.
IDRA
Father once referred to her as a reason to never learn the rules.
CSORU
The only person who will still play against her is Csethiro, and they know one another's play styles too well to find it worthwhile.
MAIA
Dach'osmin Ceredin. She must also be a strong player, then?
CSORU
Oh, Csethiro's a nazhcreö. When she plays the Archduchess, each game depends on whether Csethiro can sniff out the python and uproot her before she strikes.
MAIA
Interesting.
Maia captures Idra's three remaining pieces in one sweep. He knocks them over gently so that they do not roll.
MAIA
Thy avar is dead, (IN BARIZHIN) may the smoke carry his soul to dwell with the gods.
(in Ethuverazhin)
Good game! Another?
| 36 | INT. EMPEROR'S CHAMBERS - NIGHT | 36 |
|---|
Maia sits hunched on the floor, his paper nest reconstructed around him. He is in his nightclothes, with his hair braided for sleep.
DAZHIS ATHMAZA (twenties, neatly dressed) clears his throat.
DAZHIS
The other nohecharei will murder us in our sleep if we do not remind you of yours.
MAIA
Our sleep? We will have it, Dazhis. Ten more minutes.
Dazhis nods and settles back against the wall. He stands there as Maia SCRIBBLES and FLIPS PAGES. As always, he holds the pen strangely when he writes, like a young child still developing manual dexterity.
In his own chambers, the emperor is guarded by one nohecharis within and one without. Thus, Maia and Dazhis are completely alone: in a wide angle we see them, a dachenmaza and a scrawny boy in a shift.
Eventually, curiosity leads Dazhis's nose back towards the emperor.
DAZHIS
That's a lot of diagrams.
MAIA
Mhm! They relax us.
DAZHIS
Ah. Yes.
Dazhis settles, only to be pulled in again by the sound of Maia TURNING GEARS.
DAZHIS
May we ask what you are doing, Serenity?
MAIA
Will only be ten minutes, is promise.
DAZHIS
We do not mean to hurry you. We are merely curious.
Maia blinks. Someone wants to know about his interests?
MAIA
...Is puzzle. Or will be, when work is finished. Easy one.
He turns his body so that he can demonstrate the state of his work. It looks something like a music box, but with petal-shaped levers at the top and a gallery at the side for two rows of buttons.
MAIA
What is word... needing, goal... object! Object of puzzle is to play melody. Press buttons to give value, then pulling lever sets it. As such:
Though the buttons are not yet placed, Maia is able to press the values in manually.
MAIA (CONT'D)
Two tens, seven ones. Makes twenty seven. Now we set.
Pressing down the petals elicits a resounding CLACK.
MAIA
If all values are correct, turning crank will make music. But if value is wrong...
He manually sets five values and then begins to turn the crank. The first four notes are recognisably the Eldest Rose's aria from The Dream of the Empress Corivero. The fifth, discordant note, however, forces all of the currently 'set' petals to pop back up again. Maia grins as broadly as we've ever seen.
MAIA
Reset! Must find first value and then start over. Good to train michen's ear for music, and to teach counting by tens and ones.
Dazhis's eyes are wide. Unreadably so.
DAZHIS
This is for children?
MAIA
Mhm. Is for Ino——my cousin Sheveän is unhappy she plays with toys, not listens to tutor. Takes toys away. But learning toy, she cannot be unhappy. Gift from Zhas, insult to take away.
DAZHIS
It must be complicated, making something for such a... such a special child.
MAIA
Is fairly simple! More simple than version for older michenei. In that one, is rotary device at center. Makes order of petals or starting values of notes change on reset. Is like Corazhas.
DAZHIS
Oh? How so?
MAIA
Must make guesses over and over again. Who wants what? And in what order? And you only need it wrong once for the whole thing to... to be needing reset. Start from beginning. All progress gone.
Dazhis regards Maia carefully. Sympathy pulls at the edges of his expression.
DAZHIS
Your first nohecharei did appear rather... worn out, we will say. What happened?
MAIA
Argument. Is always argument, but this time every answer hurts someone. Hurts the law, or hurts the poor, or will lead good family to ruin. Hours of Witnesses arguing like michenei, no progress.
DAZHIS
Ha. Yes, that sounds like the Corazhas.
MAIA
When we make our choice——least bad for everyone, we hope——Lord Berenar comes to us and asks us are we satisfied with solution, what it means for people of Nelozho Township. Of course we are not satisfied they cannot afford feeding themselves!
Dazhis HUMS——acknowledgement, but maybe not agreeement.
MAIA
But Berenar has no solution either, just asks us to find. And we are trying! We want good answer. But maybe is no good answer.
DAZHIS
Surely the keeping of the indigent poor of Nelozho Township is beneath the concern of Ethuverazhid Zhas.
MAIA
Beneath Varenechibel, perhaps.
(he steels himself)
Emperor is father to nation. Has duty to care for his people.
Our shot is wide enough to see the both of them: Maia on the floor, Dazhis against the wall, looking down at him. The earlier sympathy is gone from his face, replaced with the blank mask of the nohecharis.
MAIA
...Ah, but you are right, it grows late. We will put our work away.
DAZHIS
Yes, very wise.
Maia gathers the materials into a woven basket. He takes the books and papers into his arms. Rather than moving everything to the floor, or to a desk, all are fit easily in the extra space of his too-wide bed.
DAZHIS
Rest well, Serenity.
| 37 | INT. EMPEROR'S CHAMBERS - LATER | 37 |
|---|
In the dark, Maia lies awake, staring up at nothing. His thumb idly rubs at the great scar on the opposite forearm.
Movement on the other side of the curtains. Maia tenses——but it's only Dazhis settling into a chair.
| 38 | INT. VERVEN'THEILEIAN - MORNING | 38 |
|---|
Maia sits at his place at the great table. Papers lay in an arc before him. As before, he is bracketed by Thara, Aisava, and his nohecharei.
His head is held high, his ears neutral. Cold and exceptionally impassive, he embodies the same imperial elegance as Varenechibel IV before him.
For better or for worse, he is his father's son.
XX NOTE WARDROBE AND EDOCHAREI SHOULD ENDEAVOR TO MATCH AS CLOSELY AS POSSIBLE VARENECHIBEL IV AS HE APPEARS IN PEVELRA'S THE VERVEN'THEILEIAN AT DAWN. -AIVO XX
The doors to the chamber OPEN. Deshehar and Pashavar are already ARGUING. They pause when they see Maia already in the room.
PASHAVAR
...We are not late, are we?
MAIA
No. Sit.
The pair and their respective secretaries file in. The rest follow shortly.
When all are seated, Maia clears his throat.
MAIA
A day has passed. We have all eaten, slept. We are prepared to speak as government should?
The whole room shifts awkwardly in their seats.
MAIA
We will take that as yes. Now, to resume business: Berenar.
Berenar straightens.
MAIA
Tell us of the poor of Nelozho.
DESHEHAR
Serenity? We thought your decision was made–
MAIA
Our decision is made. But judgment is incomplete.
Pashavar and Deshehar share a worried look.
BERENAR
Their situation is dire, Serenity. Rain does not grace Nelozho as it once did. The manufactories in the next towns over release great clouds of steam, and so the rain falls on those towns and not on Nelozho.
SONEVET
Then they ought to build a manufactory.
BERENAR
...The manufactories also leech innumerable chemicals into the groundwater, causing what the locals call well-sickness. It is not what one would wish upon a child.
Maia, Thara, and Madrinar make warding gestures.
BERENAR
If this were not terrible enough, a few years ago the town's main granary exploded, as such structures are wont to do in conditions of drought. They are still struggling to recover from this tragedy, unable to grow enough rice to feed their families as it is harvested, never mind to store it for the off season.
PASHAVAR
And why is it, Berenar, that the granaries run empty? If we are to retread old ground, we ought to retread it thoroughly.
BERENAR
It is because there is no rain.
PASHAVAR
It is because they declaim crop rotation as an act of heresy!
BERENAR
That is their way, Pashavar. Would you prefer we root out the townsfolk and replace them with those you see fit?
PASHAVAR
No need! Their own religion will see to that, if they do not change their ways!
MAIA
Pashavar, what is your secretary's name?
PASHAVAR
Pardon? It is Mer Rovelezh. Why?
MAIA
Mer Rovelezh, you are freed from service for next ten minutes. Pashavar has time to interrupt, therefore he has time to write.
DESHEHAR
But–—but he is right, Serenity! Why must we bend backwards for a people who will not save themselves?
Berenar rubs the bridge of his nose.
DESHEHAR
You know it is true, Berenar, you must! They claim to seek justice, yet they graze their beasts on Doreshadeise land! They fish in the river without permits, then wonder why the stewards of that water treat them as pests!
BERENAR
They cannot afford the permits!
MAIA
Were permits paid, relationship between Nelozho and Doreshada would improve?
DESHEHAR
Yes! Easily! Definitively!
PASHAVAR
(quietly, bitterly)
As would their relationship with the local government.
MAIA
Ahh. We are glad you have said as such. Mer Aisava?
Aisava retrieves a large, rolled-up sheet of paper from one of the undersecretaries and spreads it across the table.
The work is Maia's, though illustrative embellishments have been added by assistants. It features a map of the relevant area with a specific bend in the river circled. Additionally included are several designs for a potential toll-bridge. Some possess a strange gate-like structure under the water, with simply rendered fish held back from passage. Others boast miniature water-wheels, nets to catch oversized particulates, or other such advancements.
MAIA
Principate will build bridge. Bridge will bring in tolls; money goes to poor of Nelozho. Permits are afforded, poaching goes down——relationship with both Doreshada and principate improves. As both Deshehar and Pashavar say it will, yes?
For the first time, the Verven'theileian is silent.
MAIA
We are heard?
The witnesses all look amongst one another, still and speechless. It is Pashavar, who has leaned back into his chair in contemplation, who speaks.
PASHAVAR
Yes. It is a strong compromise. None will disagree with that——or so we hope.
He shoots a look at Deshehar, who appears aghast at the insinuation.
MAIA
Matter is closed, then. Mer Aisava, what is next?
AISAVA
Serenity. The next order of business is a return to the Lord Chancellor and the Witnesses for the Wisdom of Choharo.
Chavar, currently in the middle of whispering furiously to his secretaries, jumps.
CHAVAR
Did we not give our report yesterday?
MAIA
Yes. But we ask for today's report, Lord Chancellor.
Chavar's entire face flushes, bright and ugly. He starts to rise from his chair, body propelled entirely by outrage.
CHAVAR
Serenity! It has been but one day!
Maia's face does not so much as twitch.
MAIA
We see. You will make your report at future meeting, then.
Chavar, still half-standing, slowly returns himself to his seat. Maia waits until he is settled to say:
MAIA
You have two days.
CHAVAR
Pardon?!
MAIA
Matter is closed. Mer Aisava?
DISSOLVE TO:
| 39 | INT. ARCHDUCHESS'S FOYER - EVENING | 39 |
|---|
From the very first room, Vedero's apartments are relentlessly neat and very modern in design, the furniture all simplified forms with relatively little ornamentation and the wallpaper a single, light colour with a velvet texture, so the artworks on display——a diverse array of paintings, vases, and small metal and marble statues——command the visitor's attention. It is a museum in miniature.
As Maia enters, Thara and Csoru and nohecharei in tow, he looks around with widening eyes.
Vedero awaits in the antechamber. She greets her brother with a bow.
Maia has grown accustomed to the Corazhas. He has grown weary of Chavar. Vedero, however, is another matter entirely. His posture shrinks. Still, he smiles.
MAIA
We thank you for your invitation, sister.
VEDERO
Of course, Serenity.
Her face hardly moves as she speaks. The pair stare at one another. Maia's ears begin to sink.
VEDERO
Our nephew tells us you are a dab hand at bokh. He is still playing, then?
MAIA
Yes! Yes, we play many games since my arrival.
VEDERO
And how would you evaluate his skills? Merrem Lorazho, the door, please.
Her HOUSEKEEPER bows.
MAIA
Idra has much potential! We do looking at endgame problems together, where he is most weak——
Csoru touches Maia's shoulder lightly.
CSORU
We are going to get a drink. You two enjoy your bokh strategy.
We follow Csoru into the next room, where young courtiers, female and male, lounge about the room in little groups, every bit as decorative as the garlands (lily, orchid, pansy) that spiral up the many sturdy pillars. Among the courtiers are scholars peppered throughout, recognisable by their ribboned braids.
Csoru makes a beeline for a long table against one wall with an assortment of finger foods, a samovar of tea, and rows of pre-made digestif cocktails. She begins piling sweets high on a plate.
We pan away, back over the crowded parlor.
| 40 | INT. ARCHDUCHESS'S PARLOR - LATER | 40 |
|---|
Maia has nestled into a couch in the corner, a nohecharis stood on either side. Thara is perched on the other side of the same couch, notably more distant than he was in the Verven'theileian.
AVRO HALEZHO (thirties, respectable) clasps her hands together and nods to something Maia has just said. Her brother-in-law, MER HALEZH (thirties, slightly wild-haired), shifts nervously from one foot to the next.
MAIA
Is remarkable work, that of the clocksmith's guild. We try to speak to you again, Merrem... Halezho, yes?
Halezho beams.
MAIA
And Mer Halezh. We will try to remember.
HALEZHO
We do not take the privilege of your time for granted, Serenity. We thank you.
The pair bow before exiting. Halezho moves at a confident pace, Mer Halezh scurrying behind her.
As they go, they pass by Csethiro Ceredin and her Loudest Sister. The sister is too invested in the failing flirtations of some OVERINDULGED COURTIER (young, insufferable) to notice. Csethiro, on the other hand, peeks back at the emperor.
CSORU
It's 'endeavour'.
MAIA
We will try to... endeavour?
CSORU
No, no——'We will endeavour to remember.' See?
MAIA
Ah. Means what?
CSORU
To... to make an attempt. To resolve to achieve something.
Helpless, Maia looks to Thara. Thara looks tired.
Csethiro rolls her eyes.
MAIA
...So, 'try'?
CSORU
Mm, yes, but not quite. It is more polite.
MAIA
Because needs more letters for spelling? Awful.
CSORU
It is about the connotations, dear.
MAIA
It is about having too many words with same meaning! Except no, secretly, meaning is different. But only a little. 'Hm, yes, not quite.' Elves! Tch.
This earns a snort from Csethiro——which itself earns Maia's notice. She straightens, folds her hands in front of her.
Maia evaluates her. They have not spoken since the dreadful events of her first showing, but that does not mean she has gone unnoticed all this time.
From the straightness of her posture to the curve of her gaze, each component of her countenance has been plucked and pruned and oh-so-carefully tailored to her singular role as a yet-unmarried woman. Why, then, does she stand out against the crowd?
MAIA
Dach'osmin Ceredin! You have something to say?
Csethiro's ears flick. For her, it is a surprise that he even remembers her name. Loudest's eyes widen; she whispers something in Csethiro's ear and shoves her forward.
CSETHIRO
Naught that demands your attention, Serenity, we assure you.
MAIA
Hm. A shame.
CSORU
Ah, Csethiro! It's been absolutely ages since we last saw you.
CSETHIRO
Two weeks?
CSORU
As we said! Ages! As we recall, you used to haunt our sitting room at teatime twice a week at least. Has your father finally given you up for a lost cause?
CSETHIRO
An we did not know better, we would think you were trying to get under our skin, Csoru Zhasanai.
CSORU
Hmph. We rather thought we were succeeding. You are the one who is trying.
MAIA
Not 'endeavouring'?
This time, Csethiro laughs out loud.
CSETHIRO
We are content to be called endeavouring.
Thara looks between Maia and Csethiro. He then looks at Csoru, who is quietly unimpressed.
CSETHIRO
...We hear some of the old guard find you endeavouring as well, Serenity. A point in your favour, to be clear. Would it be unkind for us to ask how you are adjusting to the Court?
MAIA
Not unkind. But we fear answer will not excite you.
CSETHIRO
Bore us, then.
The next hour passes us by as a series of gestures. Lips press to the edge of a teacup. A cluster of courtiers laugh at some scholar's well-placed line. A well-bred lady nervously fiddles with the pearls on her neck.
When we return to Maia and Csethiro, they are remarkably plain in comparison. They have wound up hunched over a game of bokh.
Csethiro's features are screwed up in focus. Maia, meanwhile, has idled at the end of one of his braids for so long that it is coming loose. If either takes notice of the other's uncourtliness, the membership to their mutual fraternity of bokh enthusiasts allows them to conveniently ignore it.
Vedero is equally uninterested in their appearances compared to their gameplay. She sits catty-corner to Csoru, focused intensely on the unfolding match.
MAIA
Corazhas is... is Corazhas. We do not grow up speaking Ethuverazhin so they think we are witless. We should like to see them argue legal minutes in Barizhin.
CSORU
'Minutiae'.
Csethiro's ears flick in exasperation, and Maia laughs. She castles a pair of pieces——Maia watches carefully, scribbling on a notepad by his elbow.
INSERT - '2 dark anmureisa - avar pretends?
bokhrat - C1 D1'
CSETHIRO
Your move.
Maia's response is quick. His piece takes... cavalier, we learn, when he flips the piece over to check the seal engraved on its underside. He nods to himself, having guessed correctly.
MAIA
(in Barizhin)
Advance.
Csethiro evaluates the board with a whistle.
CSETHIRO
Damn.
MAIA
It was a clever gamble, Dach'osmin.
CSETHIRO
Not clever enough.
(to Vedero)
Remind me never to play thy baby brother for money.
She puts her elbows on the table.
CSETHIRO
(to Maia)
Why didn't you grow up speaking Ethuverazhin?
MAIA
Ah. Our guardian thinking michenai should be seen, not heard. Better not seen also.
CSETHIRO
...Oh. We were not aware.
As evidenced by the momentary alarm on his companions's faces, this information is new to all. Maia has told no one.
He did not expect it to land so heavily. Awkwardly, with a smile that is more of a grimace, he attempts to backpedal:
MAIA
Is not so different at Court, no? Parents send michen to governess, tutor, foster family... (HE WAVES A HAND) But no matter.
A brief silence takes the group. Csethiro puts her attention fully on the board. Maia has had her on the defensive, but as Idra said, she is a nazhcreö, a night-cat, not an evrin——with one of her mazai, she breaks into his line.
CSETHIRO
One would think an imperial tutor obliged to teach his student the national language.
(beat)
Your move.
Maia blinks. He opens his mouth, only to close it.
Stiff and silent, his eyes fall from her. He ignores her attack: either the piece she threatens is not his avar, or he is suicidally brave. Revealing his light Anmureisa with one move right across the board, he threatens C1——either Csethiro's bokhrat, or her general.
In this, at least, he has the upper hand.
MAIA
(in Barizhin)
Advance.
He does not look back up.
Csethiro's ears flatten before she catches herself. Her eyes dart from Thara to Csoru to Vedero before she clears her throat.
CSETHIRO
Alas, the hour grows late. We fear we must resign.
(she stands)
Good night, Edrehasivar.
Maia's head snaps back up. He watches her swift exit with no small amount of confusion. An impulse has him flipping over the piece on C1——the general. He did not have her avar pinned.
His frown grows.
| 41 | INT. VERVEN'THEILEIAN - MIDDAY | 41 |
|---|
Maia has traded in his sister's bokh board for the endlessly long table at which the Corazhas meets. Chavar sits, as ever, on the other end. He stares at Maia down the length of his nose as he delivers his report.
Unlike Dach'osmin Ceredin, Chavar does not see Maia as an opponent worthy of his skills. He is also unafraid of making that much known.
CHAVAR
...And finally, the witnesses for the Wisdom of Choharo request at least one week's time before the next report.
MAIA
We thank you, Lord Chancellor.
CHAVAR
Quite. Now, Mer Aisava, the next order of business is...?
MAIA
Hold. Not yet.
Chavar bristles.
MAIA
Report says Wisdom of Choharo was serviced in Amalo.
CHAVAR
We are afraid we do not catch your meaning, Serenity.
MAIA
Witnesses have only spoken with those in Cetho.
CHAVAR
You cannot possibly intend to send our judicial witnesses to Thu-Athamar!
MAIA
We intend to see correct persons investigated, Lord Chancellor.
CHAVAR
Well! Ignoring the assumption that the 'correct' persons are not right under our very noses, or indeed that any such persons exist, we must remind you, Serenity, that Thu-Athamar greatly values the freedom your father granted them. Sending Witnesses from the Court to oversee the Thu-Athamareise investigation would seem to say we think them either incapable or complicit!
Maia sets his jaw. Unfortunately, Chavar is not wrong.
MAIA
Thu-Athamar is having his own investigation, then?
CHAVAR
An the principate believes it assassination as you do, Serenity, they certainly would.
MAIA
So you do not know. We see.
(he sighs)
We cannot risk implication of immunity for Thu-Athamareisei. Is dangerous precedent. But we must consider further. Any other matters to discuss?
BROMAR
Serenity, if we may. We have received word from the Barizheise consulate in Cairado that the Great Avar of Barizhan may be planning a visit for the end of the year.
MAIA
Dakh'avar does not travel, we thought.
BROMAR
That is correct, Serenity.
MAIA
...Ah. Floor is yours, Bromar.
| 42 | INT. ROSE ROOM - LATER | 42 |
|---|
After a long and difficult meeting with the Corazhas, Maia has settled into the rose room. On one side sits a stack of aeronautical illustrations. On the other, his secretaries's careful notes.
Thara sits discarded on the next couch over. With nothing better to do, his nose is in yet another novel, this one even fatter than the last.
Idra meanwhile reviews the workbook assigned to him by his tutor. He is assisted by an off-duty Dazhis Athmaza. The nohecharis seems pleased with Idra's work——when the boy finds it worth his attention, that is.
IDRA
Have we considered writing to Prince Orchenis directly? He is thy cousin, after all.
DAZHIS
You are very nearly finished, Idra. Focus is what?
IDRA
The primary tool of the mazai.
DAZHIS
Remember that.
Maia offers his nephew a sympathetic smile. Both he and Idra return to their separate work.
For all of ten seconds, anyways.
IDRA
And wouldn't an Amaleise culprit already know of any Thu-Athamareise investigators? Surely they are well-versed at avoiding them by now.
DAZHIS
Prince Idra, please.
IDRA
Sorry, Dazhis, we are simply——what in the world is Chavar thinking? The culprits could be covering up evidence as we speak!
MAIA
Probably he is thinking, 'Good.' But Dazhis is right, Idra. Would better for thee to focus on thy tutor's assignment.
IDRA
But we must be able to do something——!
MAIA
We must be cats, take careful steps. Every person of Thu-Athamar is at risk. An Chavar have something to do with the crash, thou'rt at risk. An he did not, thou'rt at risk. Already Chavar commits treason because he is wanting michenzhas to control.
Idra's ears fall. Dazhis watches, expression impenetrable.
MAIA
Take heart, Idra. Chavar takes bokhrat, knows our pieces, and we do not know his. But!
Thara glances up from his reading.
MAIA (CONT'D)
We can still win, if we are smart. Careful. Game is difficult, very difficult, but is not lost.
THARA
What about a piece that can be moved in secret? That should change the game, we think.
MAIA
...Explain?
Thara closes his book.
THARA
We are your Witness. But we need not Witness for you. (BEAT) Send us to Amalo, Serenity. We will better serve you there.
MAIA
But you are needed here.
Sadness spreads across Thara's face, dangerously close to pity.
THARA
Serenity, we are useless here. Idle.
MAIA
Useless? You are our translator!
THARA
And you have not required our service since Nelozho and the Doreshada. Serenity, you——
MAIA
You cannot leave! We cannot do this without you! Do not——
Maia cuts himself off so forcefully his TEETH CLICK. From our angle we see Maia in profile, and on the wall behind him his reflection in the silver of a moon-round mirror. For a long moment Maia stares at nothing, bereft and afraid.
Shame in the set of his ears. His gaze falls to his hands in his lap. He rubs at the ache in his knuckles.
MAIA
(quietly)
I forget myself. Forgive me.
Thara's eyes widen. He keeps his ears steady.
MAIA
I——we will not order you to remain here if you wish it not. Would... be wise to do as you suggest. Is little we can do, and you are Witness for the Dead. We have dead in need of Witnessing.
With a deep breath, he dons Edrehasivar as a veil. His spine straightens. He appears older.
XX NOTE DO NOT TRANSITION FULLY INTO EDREHASIVAR'S THEME BUT DO INTRODUCE A FEW NOTES OF THE LEITMOTIF INTO THE SCORE -AIVO XX
MAIA
What must we do, to——to——
(in Barizhin)
——petition you? Oh, witless hobgoblin thou art, Maia, I... Thara, please, I cannot——
THARA
(softly, in Barizhin)
Thou canst.
(in Ethuverazhin)
To petition us you need only ask, and name your dead.
MAIA
Then we petition you, Othala Celehar, to Witness for our father Nemera Drazhar, his sons Nemolis, Nazhira, and Ciris, for Mara Lilana, who was Wisdom of Choharo's pilot, and——and all others who are dead, if you can. We do not remember all their names. We are sorry.
THARA
You've given us more than enough, Serenity. We will do everything in our power to see the truth out.
(he hesitates)
We must speak to the dead before all else. It is easier to call them up with a member of the family at the Witnessing.
Maia looks over to Idra.
Idra swallows, steeling himself. He fidgets with the black glass beads of a mourning bracelet. He nods.
MAIA
(to Thara)
We will come.
| 43 | OMITTED | 43 |
|---|
| 44 | INT. VERVEN'THEILEIAN - MIDDAY | 44 |
|---|
A meeting of the Corazhas, the usual SQUABBLING.
Maia at the head of the table, nohecharei and Aisava in their usual places.
A gap where Thara would typically sit; a spare cup in Aisava's tea set.
BERENAR
Serenity, surely you agree a ban on news-reporting is an oppressive and unreasonable response to any moral shortcomings of the newspapermen.
Maia refocuses on the debate. Before him are a handful of newspapers and broadsheets, all featuring reactionary headlines——DID EDREHASIVAR PLAN THE CRASH?, MERVANENS FARMSTEAD RAZED BY BARBARIANS, FOUR MARNEI ARRESTED IN PHOTOGRAPHY CASE, SOUTHERN BORDER-TOwNS AT GREAT RISK——and political cartoons which are offensive at best and lese-majesty at worst. He sifts through the pages.
At screen right, Chavar watches Maia with a predator's gaze.
MAIA
We see treason, bigotry, lies. Where do newspapermen report news?
BERENAR
Lord Deshehar is cherry-picking the worst possible examples, Serenity. The people deserve to——
| 45 | INT. ARCHDUCHESS'S PARLOR - EVENING | 45 |
|---|
INEBRIATED SCHOLAR
——know what goes on in their communities! What is to say this proposed Office of Censorship will not simply funnel propaganda to the principalities? And who is next, after the newspapermen? The operaneisei? Does our nation no longer value the freedom of expression?
BESPECTACLED LADY
(laughing)
He says, sitting in Vedero Drazhin's parlor, of all places! Mer nohecharis! Shall our loose-tongued friend here be dragged off to the reveth-atha?
Maia sits on the fringes of another conversation, nursing a cup of tea in both hands while Vedero and a WELL-DRESSED SCHOLAR fiddle with the knobs of a fine brass telescope on her balcony. The FIRST SOLDIER-NOHECHARIS, however, faces out towards the politically-inclined courtiers, and he has been listening.
FIRST SOLDIER-NOHECHARIS
No, Dach'osmerrem. Not unless he intends to commit treason.
CSETHIRO
Surely in that case he would earn the kiss of a sunblade, no?
The sunblade Csethiro wears at her hip atop her skirts is ancient, and very sharp.
At the sound of Csethiro's voice, Maia looks up from his tea. He takes up much less space with neither Thara nor Csoru at his side. He watches Csethiro from across the room.
BESPECTACLED LADY
Ah, but Dach'osmin, he cares so for the plight of the commons! Surely he would repudiate that ancestral right.
One of Csethiro's companions whispers into her ear. Suddenly, her head turns, and she stares at Maia directly.
Maia turns away.
| 45A | INT. ARCHDUCHESS'S PARLOR - LATER | 45A |
|---|
Maia sits alone on the couch in the corner.
Csethiro approaches, two glasses in hand. She offers one to Maia.
CSETHIRO
Brandy?
MAIA
No thank you. We do not drink.
The noise of a SHUTTER.
Csethiro shrugs, then puts both glasses on the side table opposite Maia's place on the couch. She moves to sit down beside him.
The nohecharei stiffen.
FIRST SOLDIER-NOHECHARIS
Your sword, Dach'osmin.
CSETHIRO
Oh! Right.
She unfastens her sword-belt and hands it off to the nohecharis. She sits down.
MAIA
Is fashion? Or do you fight?
CSETHIRO
We fence, Serenity. So neither, really. It is sport. We have never had occasion to win a duel.
Csethiro takes a sip of brandy, all swagger.
Maia grins.
MAIA
You are confident you win, then.
CSETHIRO
Entirely. I win nine matches in ten, and that's playing fair. In a duel I wouldn't be so foolish. What of you, Serenity? Do you fence?
MAIA
Ah, no.
CSETHIRO
What of cards?
Maia grimaces a little.
CSETHIRO
We can teach. And then you can have yet another game in which you are the superior player.
MAIA
Ah, we are not so certain, Dach'osmin.
CSETHIRO
Nonsense. You will have beginner's luck at the very least. We imagine Noranamaro must be particularly fond of the Drazhada.
MAIA
(laughs)
Is fair point.
He extends his hand across the couch towards her. Csethiro looks down at his hand in confusion——
MAIA
We are Maia Drazhar, prelate to Mother of the Sure-Footed.
CSETHIRO
A pleasure, Othala.
She shakes his hand, grin transforming her dour expression. She is beautiful, and Maia is aware of it.
The moment drags long.
MAIA
What is word, ah... mix cards together?
CSETHIRO
To shuffle?
MAIA
Yes. You shuffle, please.
She does so gladly as she explains the game.
CSETHIRO
This one is called 'Cynicism'. It uses a Barizheise deck, which means we take out the eights, nines, and tens. It can be played as a partner game——up to five teams of two——or as we play it now.
With a quick, firm flick of her wrist, she deals three cards to both herself and Maia.
CSETHIRO
It starts with putting a single card face-up, as so:
The Osmerrem of Roses reveals herself.
CSETHIRO
Auspicious start.
Close in on the card, on the elven woman surrounded by twelve flourishing roses. She lays curled up on the bed of brambles, though her tiny, hand-painted face suggests a sense of acceptance.
TIME HAS PASSED when we look back up. Each has a large hand of cards; in her other hand, Csethiro nurses a brandy——her second, the other glass empty on the floor at her feet——which she must juggle to play her next card.
She is in a comfortable sprawl, legs crossed at the knee and an elbow propping her up on the arm of the couch.
CSETHIRO
No, no, you win that round. Three is worth ten, remember?
MAIA
Oh.
He is confused, but accepts it. He adds the cards to his hand.
CSETHIRO
It is strange to see you so... alone. Abandoned by the Celehada?
MAIA
Word is strong, but...
He shrugs.
Csethiro nods. She appears to consider her next words carefully, only to throw away her caution all at once.
CSETHIRO
Csoru is using you, Serenity.
MAIA
For?
CSETHIRO
For power! Influence? Does it matter?
MAIA
She is Zhasanai. Both of these things, she has already. We cannot give more. Less, perhaps, to be our friend. We cannot marry her. Fearing scandal, we do not even bring her into household, though she is kin and she is lonely.
CSETHIRO
Csoru will bring scandal down upon herself whatever you do. She always has. And to call her 'friend'! She speaks of cultivating you, Serenity. She wears you like a badge of her own talents.
Maia nods along. If this is news to him, he gives no sign.
MAIA
Csoru is... strong personality. But she is kind, in her way, even when it hurts her. She takes her cousin into her household when he is disowned, against wishes of her father. She helps us much, when no one can pretend is for sake of her late husband's wishes, and if she thinks she is gardener...
(he shrugs)
Matters not. She is our first friend.
CSETHIRO
(at a loss)
Serenity...
MAIA
We thank you for warning, for we know it is well meaning. We promise, does not hurt our friendship.
CSETHIRO
'Our...'? Serenity, really.
Maia's expression shutters..
CSETHIRO
I... That is... Pray do not take us to mean we want nothing to do with you. We greatly value your acquaintance! But please do not play the courtier with us. We get enough of that from everyone else.
MAIA
We... we do not understand.
CSETHIRO
I mean... (SHE LAUGHS, FRUSTRATED) We've barely spoken. You cannot expect us to believe that you consider us a friend.
Though his face remains still as stone, Maia cannot keep his ears from falling.
Csethiro's cheeks turn a brilliant shade of pink.
MAIA
(with a tight smile)
We apologise.
He stands.
MAIA
Hour grows late. Good night, Dach'osmin Ceredin.
His nohecharei trail behind him as he makes his exit.
CSETHIRO
Wait! I——
As she rises from the couch, Csethiro STUMBLES OVER HER WORDS. She knocks over her glass, spilling brandy across the table——and her skirts.
By the time she looks up, Maia is gone.
| 46 | INT. ROSE ROOM - EVENING | 46 |
|---|
Csoru sighs.
CSORU
Much as I regret to say it, thou must marry her.
She and Idra pick grapes from a bowl, Csoru on the couch and Idra on the floor. Dazhis Athamaza is present once more, this time in his office as nohecharis.
Maia idly peels a grape with his thumb.
MAIA
(grimacing)
Must I?
CSORU
Maia. Do not pretend to me 'twould be a hardship. Thou'rt fond of her, plain as day.
MAIA
And? I am fond of thee and Idra! I am fond of thy cousin, and my nohecharei, and Mer Aisava!
Aisava looks up from a great pile of papers on the slim roll-top desk in the corner of the room, for the imperial secretary's work is never done. His face and tone are perfectly blank, but his ears are bright pink.
AISAVA
We are honoured to be held so highly in Your Serenity's esteem. Lord Pashavar inquires after Your Serenity's availability for an evening meal. Is the twenty-third suitable?
MAIA
Eugh. Having no way out? Yes, is suitable.
CSORU
'It is suitable', how many times must I tell thee? And thou canst not marry me, or my cousin, or Mer Aisava, many as his virtues surely are——
AISAVA
Thank you, Zhasanai.
CSORU
——and every other eligible lady of the Court either reviles thee, or thou she. Dach'osmin Ceredin is the only reasonable choice.
MAIA
...Thank thee, Csoru.
(he sighs)
Thinkst she would agree?
IDRA
Maia...
CSORU
Even Csethiro is not so brash as to turn down the emperor's proposal. So yes, we think she will find Edrehasivar perfectly agreeable.
MAIA
But the same cannot be said for——
A DRAZHADEISE PAGEBOY enters before Maia can finish. The pageboy presents a single letter to Maia with a bow.
THARA (V.O.)
(in Barizhin)
To His Serenity Edrehasivar VII, greetings and loyal good wishes.
| 47 | INT. AMALEISE OPERA HOUSE - EVENING | 47 |
|---|
Thara Celehar has tucked himself into the corner of a set of box seats. The other chair is empty. He writes by the light of the stage, half-peering and half-squinting at the letter as he pens it.
THARA (V.O.)
(in Barizhin)
The course of our investigation has led us to, of all places, the Opera. We write to you from one of Amalo's many opera houses, where The Siege of Tekharee provides an achingly inappropriate score for what we have discovered.
Some onstage cue catches his attention, inaudible to the viewer. He takes up his pair of opera-glasses and looks into the wings of the stage.
The stage itself features two individuals in the finest, gaudiest costume imaginable. Behind them, a STAGE HAND (female, ambiguously elven, notably dressed down in comparison to figures on stage) moves through the wings.
THARA (V.O.)
(in Barizhin)
Before we continue, we ask you to forgive us if the ensuing dramatics read less as a report from Witness to Petitioner and more as a tale intended for the stage.
The Stage Hand looks back over her shoulder before slipping through a door backstage.
THARA (V.O.)
(in Barizhin)
In our current circumstance, truth may be as fantastical as fiction.
| 48 | INT. OPERA HOUSE HALLS - CONTINUOUS | 48 |
|---|
We follow the Stage Hand as she navigates the unintuitive halls beneath the opera house. She holds her head high, her posture as controlled as that of any Dach'osmin.
THARA (V.O.)
(in Barizhin)
It is within the labyrinthine underbelly of the Amaleise opera industry that we have uncovered some great scheme of questionable purpose.
The Stage Hand passes by several costumers and other such attendants to the Opera. She maintains her excellent composure even as she tips her head to acknowledge them.
THARA (V.O.)
(in Barizhin)
While the wealthy of Amalo tend to their expensive fancies, a growing collective of workers conduct their business some few yards beneath them.
Finally, she turns into another doorway where we see——
| 49 | INT. UNDER-OPERA MEETING ROOM - CONTINUOUS | 49 |
|---|
——a roomful of airmen, manufactory workers, and fellow stage hands. They greet her warmly, waving her inward.
We also see Thara Celehar, now disguised in the shabby, half-burnt clothes of an airman, his curly hair in a worker's crop. He sits somewhat primly in the back, surrounded by his rough and burly fellows.
THARA (V.O.) (CONT'D)
(in Barizhin)
The operahouse's director is known for his radical sympathies, and allows secret meetings——attended by all manner of political malcontents——to be held in the back of house.
The worker next to Thara claps him on the back. The force nearly sends him flying.
THARA (V.O.) (CONT'D)
(in Barizhin)
In pursuit of learning more about the Wisdom of Choharo's final flight, we have taken on temporary employment in the refitting department of the Amal-Athamareise Airship company, where nearly every worker seems able to quote Curnar by heart.
INSERT - Posters advertising work at the A3.
THARA (V.O.) (CONT'D)
(in Barizhin)
Our ignorance of their ideology was quick to earn us an invitation to one of these meetings. We found there a great deal of in-fighting——between men and women, between elves and Barizheisei, between the irreligious and the devout, between pacifists and self-styled revolutionaries.
Close on NARCHANEZHEN (elf, late twenties, cropped hair) as she passes a cup of water to our stagehand. The two gossip in the corner of the room. The stagehand brightens, but Narchanezhen's expression remains distinctly sour.
THARA (V.O.) (CONT'D)
(in Barizhin)
Among these last, several individuals have caught our eye. They cannot all be embroiled in some grand conspiracy, for they cannot stand each other well enough for that. Many are likely guilty of no more than speaking ill of the dead...
In another corner of the room, BRACHELNAR (elf, twenties, burn-scarred) and SHULIVAR (half-Barizheise, twenties, stick-thin) stand apart from the crowd, watching. Their conversation is apparently so secret that they turn to murmur in one another's ears.
Brachelnar hands Shulivar a folded sheet of paper. His eyes scan the page rapidly, then he turns to Brachelnar to respond. Whatever the news, he seems pleased.
THARA (V.O.) (CONT'D)
(in Barizhin)
...But others seem to know more than they tell, and do more than they brag about to their fellows.
The finest-dressed man in the room is OLORA (elf, thirties, physically imposing), his hair worn long and pinned up with tashins, his face made up for the stage lamps. He flits around the room, speaking with many——and always leaning close, a hand upon each zhornu's shoulder.
Everyone he speaks to is an elven man.
THARA (V.O.) (CONT'D)
(in Barizhin)
One such man is an operaneisa we first found skulking about in the airship yard...
| 50 | EXT. FOOD CART NEAR THE A3 - EVENING | 50 |
|---|
His face streaked with dirt, Thara is among the many airmen scarfing down a half-zashan wrap as soon as the Company lets them go for the night. He sits on the pavement beside a FRIENDLY ASHENIN (Barizheise, thirties) as he eats, but something distracts him from their conversation.
THARA (V.O.) (CONT'D)
(in Barizhin)
...in clothes that, in retrospect, may have been costumes stolen from his employer.
In front of them, Olora walks by, now in his airman's disguise, but there is no dirt on his face and hands. His arm wrapped around Brachelnar's shoulders, the two men are deep in conversation.
Thara frowns.
On the brick wall behind him is a faded poster for Zhelsu——"Opera as you have never seen it before!"——with an artist's depiction of Olora looming over a young Barizheise woman.
THARA (V.O.) (CONT'D)
(in Barizhin)
When we recognised his face in advertisement posters, we wondered what business a man like him could have with airmen...
| 51 | INT. OPERA HOUSE HALLS - EVENING | 51 |
|---|
Intermission. Well-to-do patrons in finery gather in the halls to purchase candied nuts and brandy.
Olora, in costume, weaves through the crowd before slipping through a door branded with the seal of the Tethimada.
Thara watches from a distance.
THARA (V.O.) (CONT'D)
(in Barizhin)
...A thought which was echoed when we discovered him sneaking into the boxes of important opera-goers during intermission, including the Cambeshada and Tethimada.
what an unfortunate cameo for thee!
| 52 | EXT. OPERAHOUSE SERVICE ENTRANCE - NIGHT | 52 |
|---|
An unmarked and unremarkable door in a brick facade opens, letting out a flood of warm gaslight. A stream of revolutionaries exit.
Many leave in clusters, embroiled in arguments——some friendly, others not. Thara walks alone into the night, lost in thought.
THARA (V.O.) (CONT'D)
(in Barizhin)
Whatever game he plays, we are not yet privy to it. And he is far from the only one with suspect motivations.
He pauses beneath a streetlamp to shuffle through his pockets. After a moment, he procures a slip of paper.
THARA (V.O.) (CONT'D)
(in Barizhin)
Strategy, tragedy, treason. In the thick of it all, we continue to find ourself deeply grateful that we are your piece, Serenity. We shall progress the board as you see fit.
Now at a distance, Thara and his streetlamp are but a small spot of white against a backdrop of shadow. We do not see what the paper reads, only that he appears to strike something from a list. He walks off.
We linger on the empty street for just a beat too long.
| 53 | INT. CERADADA APARTMENTS - SITTING ROOM - AFTERNOON | 53 |
|---|
Csethiro falls flat onto the couch. She stares up at the ceiling, a letter clutched in her hand.
Immediately, her family crowds around her. All but the Brother-in-Law are present.
YOUNGEST SISTER
But what does it say?
ROSIEST SISTER
Not fair! Let us read it, too!
CEREDARAN
Girls! Give her space! That means you, too, Dach'osmer!
CEREDEL
But darling! It is from the emperor!
The Loudest crouches down beside her.
LOUDEST SISTER
Csethiro, my beloved sister. Might I please see thy letter?
Csethiro closes her eyes. She holds the letter out for the Loudest to snatch up.
LOUDEST SISTER
'To Dach'osmin Csethiro Ceredin, greetings: We fear this must be strange and awkward for you, as it is for... us...'
She gasps, and her hand flies up to her mouth.
YOUNGEST SISTER
What next?
CEREDEL
Canst not simply leave it there, my dear girl!
ELDEST SISTER
Oh, give it here.
She grabs the letter from the Loudest Sister.
ELDEST SISTER
Dach'osmin Ceredin, greetings... strange and awkward... 'We are sorry for that. We wish to be a good'——Oh!
CEREDEL
A good what? A good what?!
The Youngest peeks over the Eldest's elbow to see:
YOUNGEST SISTER
Husband! Csethiro's going to be married!
CEREDEL
Husband——!
Ceredel clutches at his heart.
CEREDARAN
Darling, I beg thee sit! Recall what the Csaiveiso said!
CEREDEL
Sit? My Csethiro is to be Zhasan! I cannot possibly sit!
CEREDARAN
But it is not official as of yet.
ELDEST SISTER
She's right. This isn't a proposal, but rather an apology for a proposal to come. Sit, Father, and spare thyself the coronary stress until necessary.
Csethiro's Brother-in-Law enters the room, another letter in hand. On the wall behind him, a cuckoo clock.
BROTHER-IN-LAW
Ceredel! A letter to you from Edrehasivar. What business have you with His Serenity?
The Ceredada stare at him for one brief moment before they descend upon him like a flock of gulls.
Ceredel takes the letter, lightheaded as he beholds Edrehasivar's seal, the monstrous progeny of the Drazhadeise cat and Sevraseched sea serpent. Finally, he breaks the wax.
The Loudest Sister, still on the floor beside the couch, looks up at Csethiro.
LOUDEST SISTER
Dost not seem so thrilled, Csethiro Zhasan.
CSETHIRO
He says he is sorry.
LOUDEST SISTER
'We ask you to tell us when we offend or wound you, for we will not do so purposely, but only out of ignorance.' Yes, that was strange.
CSETHIRO
But I am the one who has wounded him.
LOUDEST SISTER
Oh?
CSETHIRO
He called me his friend. And I told him I could not believe that.
LOUDEST SISTER
Ouch.
CSETHIRO
I know.
LOUDEST SISTER
So... saidst something to offend the man. And then he goes and proposes marriage to thee?
CSETHIRO
...Yes?
LOUDEST SISTER
Take heart then, Csethiro! Hast found thy perfect match!
Csethiro hits her sister with a decorative pillow.
| 54 | EXT. OPERAHOUSE SERVICE ENTRANCE - NIGHT | 54 |
|---|
The door opens. Faintly from within, we can hear The Siege of Tekharee's sombre FINALE, the goblin army discovering the elves's self-slaughtered sons and daughters.
Thara Celehar, once again wearing his airman's disguise, pauses just past the door frame, speaking to someone unseen behind him.
THARA
——cannot thank you enough for your help, Mer Pel-Thenhior. You will send the letter straightaway?
A pause, the other speaker inaudible.
THARA
You as well. Good night, and——and stay safe.
The door CLOSES, then a BAR falls into place on the opposite side.
We pull back slowly as Thara walks towards screen left...
| 55 | INT. SOUNDSTAGE - CONTINUOUS | 55 |
|---|
...leaving the small set and heading down what we understand to be a side street in the dead of night. He passes small garbage bins and other small props on an otherwise empty soundstage.
Dim light from overhead, stage lamps on barely-visible rails.
Our view obscured: the kameraman twisting off the red filter on the lens. We are nearly blinded by the newly glaring Pel-Thenhior bulbs of a day-for-night shoot, revealing a MENACING ELF looming behind Thara.
He claps a hand holding a rag over Thara's mouth, muffling an ALARMED CRY.
Thara tries to fight him off, but he is a small man, and even if he could fight off his attacker, he inhales ether with every panicked gasp.
His struggles cease. The Menacing Elf lifts an unconscious Thara like a sack of rice over his shoulder. He walks towards screen right and the kamera rig, closer and closer until he disappears from our view.
Our last sight of Thara is his slack face, jostled by the Menacing Elf's every step.
An empty soundstage, silent.
One by one the lights SHUT OFF.
Witness for the Beekeepers
In the first year of Athmuranar I’s reign, Puzhvarneise cousins Vanëo and Velheän (actresses uncredited) find their young lives turned sideways when their twin fathers fail to return home from the Athamareise War of Independence. After seeing R. Nathomar’s Battle for the Zhomaikora, the girls believe the film to be real and grow convinced their fathers must have served in the fictional battle and must be alive somewhere. Together, they set off in search of the absent war heroes. This heartfelt film by Ditu Rezharan captures childhood in its truest form, tender as it is terrifying. (6 E’has 9)
One Pot of Eladriät
On the eve of his thirtieth birthday, Scholar Second-Class Tela Veltava (Ulvena Amalezh) is invited to the house of his estranged mentor, former University Bursar Osmer Virenar. When he arrives, Osmerrem Virenaran sits him in the empty parlor with a single pot of eledriät—and locks the door. She reveals that Osmer Virenar died one week ago, and that she believes she has uncovered the truth of Veltava’s role in an affair her husband had some fifteen years ago. If he does not defend himself to her satisfaction by the time the pot is empty, she will have Veltava ruined. The only film by director Beshero Erimel before her early death by sessiva, One Pot of Eledriät brings an unflinching yet empathetic perspective to abuses of power in Athamareise academia. (13 E’has 9)
Up in the Attic
Produced a decade after the Commonwealth decriminalized faced film, Up in the Attic is one of a unique set of films which playfully mix the established kinematic conventions with the era’s newfound creative freedoms. Told through the lens of a young man digging through a forgotten attic, the film guides the audience through six vignettes, each a fictionalised retelling of director Tomara Coralezh’s own family history. From an ancestor in the age of Varenechibel III to a brother who lived and died before the director’s birth, these deeply personal reinterpretations explore questions of narrative, truth, and where the two struggle to overlap. (17 E’has 9)
Shess Tid
Mm. Qentak
Introduction to Dakhenbarizheise Cinema
429 words
Witness for the Beekeepers is a tale of two cousins (who are practically sisters, given that their fathers are genetically identical and have raised them in the same multigenerational house) of the Ediremada seeking out the site of a battle they saw in a dachencala'zhoan, a sidewalk tent-theatre. Unable to distinguish fiction from reality, the character of Sgt. Ediremar has the grieving girls convinced one of their fathers was a war hero in the fictional Battle for the Zhomaikora, and they set off on an adventure which soon leaves them stranded in a small village outside the city of Ashedro.
There, they meet the titular Witness for the Beekeepers, Mer Csozha Thalanar. The only detective in town, Thalanar is tasked with the keeping of the two girls until their guardians are found (a task the girls actively hinder by insisting that they have no family but the fictitious Sgt. Ediremar, leading the detective to assume the whole story a "wonder-tale" dreamt up by a pair of foundlings). At the same time, he is responsible with the investigation of the sudden and suspicious death of fifteen bee colonies.
Thalanar, of course, cannot uncover the conspiracy behind the massacre of the bees without the lessons learned in caring for a pair of girls who, over time, he has begun to think of almost as daughters. This relationship is not one-sided, either: towards the end of the film, Vanëo has a crying fit the grizzled Thanalar must comfort her through, during which she accidentally calls him 'papa'. For all they set off on this journey to find their fathers, the fact of the matter is that the men left when the girls were so young, they have no memory of their fathers as people, not what they looked like or how they acted. [They are following the trail of a fictional character in more ways than one: the men they hope to find are not really any more real than the Battle for the Zhomaikora was.
Witness for the Beekeepers is a movie about movies, or at least about what it means to grow up watching them.] Over the course of the film, Vanëo grows increasingly attached to Thalanar and begins to lose her grip on reality, truly believing they have no other family and that her father abandoned her after starring in Nathomar's film. Velheän, meanwhile, rewatches Battle of the Zhomaikora and realises the warships are actually models tugged about a set on strings and admits their lie to Thalanar. [In other words, Vanëo remains a child, and Velheän grows up.]
This is a very well-written summary, and you will certainly receive full credit for the assignment, but admittedly I was looking forward to your usual enthusiasm. I've marked spots where I see the beginnings of an argument, just in case you would be interested in bringing this topic into a future paper.
Hope all is well on your end. Beekeepers can be a difficult watch for some. I strongly encourage you to read In Pursuit of Metakino at soonest convenience as it will likely provide you with an interesting lens for films such as this one. I also strongly encourage you to take a night off before doing so, if you have the ability.
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